Zig At The Gig podcast

Rust County Revival

Interview with Rust County Revival

About Rust County Revival ":Somewhere between the former stomping grounds of blues legend Robert Lockwood Jr. and the modern-day, blues-inspired rockers The Black Keys comes an original Rock ‘N’ Roll experience, which attempts to blend elements of both the old and the new and feels authentic as well. Bob (guitar/vocals), Russ (drums), Stu (guitar/vocals), and Tim (bass) strive to deliver a unique blend of Rock and Blues soaked in gasoline for your eardrums. Formed in the post-pandemic world on the mean streets of Seven Hills, four musicians set out to deliver freakish blues and familiar grooves to your soul. RCR brings a multitude of expressions and influences to the stage. From hard-hitting Rock and Grunge to old-school Blues with a modern spin. Mainly we just enjoy writing and playing music inspired by artists we admire."

 

UPCOMING SHOWS

• Dec. 19 – Emerging Sounds Showcase @ Rialto Theatre (Akron, OH) – Doors: 7 p.m.
• Jan. 17 – Front St. Social (Berea, OH) – Doors: 6:30 p.m.

https://rustcountyrevival.com

/ https://www.facebook.com/RustCountyRevival

https://www.instagram.com/rustcountyrevival

 

Cailyn Maeve of Final Passion

Final Passion is the solo project of Cailyn Maeve, an independent artist making music from her tiny bedroom in Cleveland, OH.

Originally from Houston, TX, Cailyn fronted the punk band Fail Mary for several years before relocating to Cleveland in the midst of her transition, where she began work on the project.

Final Passion’s first self-produced solo single, “Perpetual Motion” released October 2023, and was followed up by the EP “we will figure it out” in September 2024.

 

https://www.finalpassion.net

 

Django Haskins of The Old Ceremony

Formed in 2004 The Old Ceremony has survived longer than many marriages. They’ve
reinvented themselves again and again, beginning as an eleven-piece mini-orchestra, slimming
down to a five-piece touring machine (guitar, bass, drums, vibraphone/keys, violin), and now – 
in their 20th year together – creating a fresh, energized record that incorporates the visceral
(“Valerie Solanas”), the meditative (“North American Grain”), the philosophical (“Too Big To
Fail”), and a nod back to their noir-ish beginnings (“Lonely Mayor”). Songwriter and
vocalist/guitarist Django Haskins’ gift for incisive, colorful lyrics and melodies is on full display
throughout, whether it be an unhinged first-person tale of shooting Andy Warhol or the
melancholy last act of a long-closeted politician. He writes with empathy and precision that
occasionally calls to mind the source of the band’s name, Leonard Cohen, among others.
In fact, the songs contained in Earthbound are culled from the 115 new songs Haskins penned
during the pandemic. When tossed into the well-seasoned cauldron of the band’s collective
musical voices, they transform from one person’s songs into something else: the sound of a band
that has created together for two decades, through highs and lows, busy years of touring and slow
years of child-rearing and mask wearing. 
The Old Ceremony has seen their share of highlights: sharing bills with the Jayhawks, CAKE,
Squirrel Nut Zippers, Mountain Goats, Chuck Berry, Giant Sand, and many more; touring the
U.S., Canada, and Europe; building their stature in the fertile Chapel Hill/Durham scene one
cinematic performance at a time. Meanwhile band leader Django Haskins in addition to
participating in the Big Star tribute tours, co-wrote and recorded an album of Folk-Rock
originals with the Jayhawks’ Gary Louris under the name “Au Pair.” Earthbound is destined to
be another highlight to add to the list, a musical recommitment ceremony among five musicians
who share a life in song.

 

 

 

The Old Ceremony's info 

www.theoldceremony.com

www.facebook.com/theoldceremony

www.instagram.com/theoldceremonyofficial

https://open.spotify.com/artist/21PmWnK0ROD7G4nGvYCmDj

 

Binnie Klein of In These Trees and Tartie

Interview with Binnie Klein of In These Trees and Tartie

In These Trees is an alternative indie music project led by Binnie Klein. Klein's lyrical stories are suffused with human longing and memory, and pair gracefully with soulful melodies from the artists who perform her work. With her extensive background in music as a radio DJ and a career in writing, Klein seeks to elevate her words through collaboration with rising artists. "Orchard" is her premier single inspired by her audio memoir, 10 Days in Newark, with music by Australian artist, Tartie. In These Trees and Tartie now have 5 singles out (Orchard, Sky, Ocean, Quiver, Hailstorm, and Ablaze). The album, THE QUIVER, is planned for November 2023. As a long-time DJ at free-form radio station WPKN, Binnie receives many promotional CD’s from hopeful artists. She tries to listen to most of them, just in case there is a gem that will fit with her show’s eclectic mix. When Australian singer/songwriter Tartie sent a few tunes, Binnie chose “Winter’s Girl” to play on her show. The two women, decades apart in age, began to chat on Zoom — about dogs, about music, about politics, finding a wonderful symmetry. Binnie encouraged Tartie to finish up a rough mix of “Ablaze,” about the Australian wildfires, and asked if Tartie might take a look at some lyrics. “Orchard” emerged from that question, and a great geographic distance, and a pandemic — the song, and many others -- began to take shape, with help from producer David Baron of Sun Mountain Studios.

https://www.inthesetrees.com

 

Arlen Roth

Interview with Arlen Roth 2024

Arlen Roth is a true guitar legend; part of the list of who he's recorded and toured with contains folks like Simon & Garfunkel (together and individually), John Prine, Phoebe Snow, Bob Dylan, Bee Gees, Don McLean, Levon Helm, Ry Cooder, Duane Eddy, Danny Gatton, Janis Ian, Dusty Springfield, John Sebastian, Johnny Winter and countless more. He also appeared with Ramblin' Jack Elliot and Patti Smith in the Martin Scorcese Rolling Thunder film, created the guitar parts and was consultant and teacher to Ralph Macchio for the legendary blues film, Crossroads. In 2016, he wrote and performed an acoustic guitar piece with Daveed Diggs and Leslie Odom, Jr. of Hamilton for ESPN. Arlen was voted in the Top 100 most Influential guitarists of all time by Vintage Guitar Magazine and top 50 all-time acoustic guitarists by Gibson.com. Now, on Arlen Roth's 20th solo album and his fifth all-acoustic offering, he’s bringing rootsy acoustic music to new heights on Playing Out the String, set for release September 27 and distributed by MVD. The new album was recorded, mixed and mastered by Alex Salzman, who also contributes keyboards to the mix.  Arlen’s previous album, Super Soul Session, with bass legend Jerry Jemmott, sat atop the Blues and Soul charts for 22 straight weeks, and was in the Top 5 for 55 straight weeks this past year. Arlen has also been at the forefront of guitar and music education, with 10 best-selling books, and he was the first-ever to offer video instruction with the giants of the music industry through his “Hot Licks” company, which he started in 1979, and has had millions of students worldwide. His column for Guitar Player magazine was voted #1 by the largest margin of readers from 1982 to 1992, and was also turned into a best-selling book, Hot Guitar. On Playing Out the String,  this all-acoustic, mostly solo album is very personal to Arlen and is really like getting an up-close "at home" concert in your living room. On it, he paints with broad strokes across several genres of music he loves. From "Old Timey" Norman Blake material to country blues from Sonny Terry and Brownie McGhee and Tampa Red; he even makes you feel at home with Nilsson's "Everybody's Talkin'" and gives his 12-string guitar a workout on the archetypical, "Walk Right In."

https://www.arlenroth.com

 

Jeff Lang

Interview with Jeff Lang 2024

Australian guitarist-songwriter-vocalist-producer, Jeff Lang has built a reputation for making startling music that is accomplished, intricate, gutsy, melodic and loaded with soul. Often taking unexpected turns, he has consistently inspired his audiences by creating a stylistically diverse catalog of over 25 albums. Jeff has mischievously called his music ‘Disturbed Folk.’ One writer referred to him as a “quiet achiever.” But the overall impression one has from observing Jeff’s lengthy career is that of a driven man who keeps his head down, playing and recording music as if his very life depends on it. Outside of his homeland, Jeff has toured the UK, Europe, Japan, India, China, South Africa, New Zealand and Canada as well as concentrated work in the U.S., where he has played upwards of 300 shows, living there for 6 months at a time. He has appeared on prestigious American radio programs A Prairie Home Companion, Mountain Stage and Acoustic Café. Jeff has shared stages with Bob Dylan, Dr. John, Richard Thompson, Bonnie Raitt, Ani Di Franco, Chris Whitley, Albert Collins, Loudon Wainwright III, Greg Brown, John Butler, AR Rahman and Bob Geldolf, among many others. Jeff has delivered show-stopping performances at festivals all across the globe: The Dublin Blues Festival, Philadelphia Folk Festival, Quebec City Music Festival, Falcon Ridge Folk Festival, Winterhawk Bluegrass Festival, Fuji Rock, Glastonbury, Echo Park China, Ottawa BluesFest as well as on his home turf at Port Fairy, Woodford, Bluesfest Byron Bay and Womadelaide. Jeff Lang’s unique musical vision easily finds a home in myriad settings, from large festival stages to the intimate, long-running Ann Arbor, Michigan club The Ark to the Sydney Opera House. Most importantly, Jeff Lang has achieved what is a rarity in the cluttered world of contemporary sounds: his own voice.

Jeff's info https://jefflang.com.au

 

Robin Hyperius Blake Returns

Robin Hyperius Blake of Hyperius Blake and The Sound Experiment 

Talk about operation DOOMSday a tribute show to the legendary MF DOOM 

 

Event description 

Friday November 8th Hyperius Blake and The Sound Experiment joined by local MC's Maddstarr being one of them.  Hit the stage at The Crobar A3244 St Clair Ave, Cleveland, OH, United States, 44114   

To pay tribute to the legendary MF DOOM !!!

Eric Earley of Blitzen Trapper

 Interview with Eric Earley of Blitzen Trapper 2024

 

Launched roughly two decades ago in Portland, OR, Blitzen Trapper garnered early attention with a series of self-released albums before breaking out internationally with a pair of critically acclaimed LPs (2007’s Wild Mountain Nation and 2008’s Furr) that would cement their status at the forefront of the modern indie folk revival. Rolling Stone hailed the band’s “hazy, psychedelic Americana,” while NPR praised their “explosive live performances and infectious roots-rock swagger,” and The New York Times compared their songs to Tom Petty, Bruce Springsteen, and Neil Young. Dates with Fleet Foxes, Wilco, and Dawes followed, as did festival appearances at Bonnaroo, Lollapalooza, Newport Folk, and Coachella, among others. In the years to come, the band would go on to release six more similarly lauded studio albums, culminating with 2020’s Holy Smokes Future Jokes, which Mojo proclaimed “sound[s] like the Beatles at Big Pink.”

There are numbers so vast they exceed the scope of human reckoning, concepts so immeasurable they surpass our capacity to understand. On their radiant new album, 100’s of 1000’s, Millions of Billions, Blitzen Trapper make peace with the unknowable, surrendering themselves to forces beyond their control as they explore the infinite with a broad mind and an open heart.

Inspired by singer/songwriter Eric Earley’s fascination with Buddhist texts and meditation (the title comes from a phrase that appears over and over in the Mahayana sutras), the album offers a captivating take on rebirth and transcendence, and the circularity of existence, navigating its way through the space beyond dreams and reality, beyond gods and mortals, beyond life and death. The songs here are as sincere as they are surreal, rooted in rich character studies and deep reflection, and unfolding like a riddle-filled journey that asks many questions and offers no answers. The production is intoxicating to match, blending lo-fi intimacy and trippy psychedelia into a mesmerizing swirl of analog and electronic sounds. Add it all together and the result is a gorgeous, sprawling collection wrapped in lush layers of synthesizers and washed out electric guitars–a poignant, expansive exploration of perception and purpose that manages to look both forwards and backwards all at once.

Grog Shop Show Info  NOV-4-24
https://grogshop.gs/tm-event/blitzen-trapper/

Blitzen Trapper Info 

https://www.blitzentrapper.net/

Chris Greene

Interview with saxophonist Chris Greene

For saxophonist Chris Greene, turning 50 was a double milestone. It inspired him to look back on his career and the strides he has made as an independent jazz artist. It also inspired him to reflect on his life as a husband, father and family man. Little did he know how happily those two worlds would collide.  

Greene was working at home on music for his excellent new album, Conversance, when his attentive 12-year-old son Alex, a talented pianist and drummer and major Star Wars fan, played a melody for him inspired by one of the tunes his old man was playing. The elder Greene liked it so much, he decided to use it as the A section of the song, a six-measure blues in 6/4 time with a bridge. "It was a perfect fit," he says. "It really made the tune." 

Dad properly gave his son a co-writing credit and called the song "The Emperor Strikes Back," also a nod back to Chris' earlier composition, "Future Emperor of Evanston." There are numerous high points on Conversance, but none as high as this one for the older half of this rare father-son collaboration.

Greene, the pride of Evanston, Illinois, has been one of the Midwest's most popular jazz artists since his quartet in 2005. The group, featuring pianist Damian Espinosa, bassist Marc Piane and drummer Steve Corley, was voted best jazz band in Chicago in a poll by the alternative weekly, the Chicago Reader. A fan friendly artist with strong ties to the community, Greene has gifted his followers with a trio of mixtapes by the group that were recorded live various clubs and jazz festivals. Those recordings, dubbed Playtime I, II and III serve as sidebars to his regular efforts, as do a pair of subsequent albums released under the tag PlaySPACE.

Following the single "Beyhive Traffic Blues," featuring emcee D2G, Conversance is the first-ever jazz release for Pravda Records, a prized indie of eclectic leanings that has been releasing recordings since 1984. It is the Chris Green Quartet's first studio album in seven years.

 

 

 

Chris Greene's Info 

chrisgreenejazz.com

instagram.com/chrisgreenejazz
facebook.com/chrisgreenejazzthreads.com/chrisgreenejazz
youtube.com/@chrisgreenejazz

Dave Trumfio of PULSARS

 

PULSARS mark the end of that era. Leader Dave Trumfio (vocals, guitar, synths production and
most anything else) and his younger brother Harry (drums) grew up playing music in a suburban Chicago basement.  While still in his teens, Dave abandoned college-level music production and engineering studies to focus on songwriting and artist endeavors; his native talents soon found him an apprenticeship at Seagrape Studios working with talents as disparate as house music pioneer Mr Fingers, British first-wave stalwarts The Pretty Things and dub plate sessions with the legendary reggae producer / musician Niney The Observer . . . all within months of his first real go behind the mixing desk. Chicago's past musical glories felt far in the past then, replaced
by a sea of skinny tie power pop bands, poofy hair metal combos of some timidity and a few
rough-hewn exponents of sub-Buzzcocks punk and Fiorucci-ready new wave.  Ignoring it all,
Dave ran a small studio in a shared house he rented with friends before taking the risky - and
expensive - plunge into opening a 'real' studio on the northwest corner of Wicker Park, soon to burst into a degree of infamy due to a small contingent of cult heroes who lived there for cheap rent and cheaper bars - Liz Phair, Eleventh Dream Day, Big Black, Urge Overkill, Tortoise
et al.
Daves role in all of this was minimal by nature; he preferred to record acts from farther afield -
Billy Bragg, then-recent Chicago transplants Wilco, The Mekons, Young Marble Giants guitarist
and songwriter Stuart Moxham, Barbara Manning, Captain Beefhearts main man Gary Lucas, an
array of other acts from Iceland, Australia and all corners of the UK.  Business was good, and it
grew. 
A quick writer of odd pop ditties, one day Dave called in his brother Harry and recorded - in a
single afternoon session - a set of nine demos known.  The story's been related countless times, but within weeks the band was opening for Oasis and found itself being courted by a dozen labels. Their few local shows were undefinable. Dave played guitar and sang, Harry drummed triggered a reel of additional music, often with video backing . . . which dazzled spectators in that pre-laptop era.  After months of negotiations, the band signed a multi-million deal with Almo Sounds, a new label begun by A&M founders Herb Alpert and Jerry Moss and distributed by Geffen.  It was - and likely still is - the largest deal ever offered to an emerging Chicago musical act. The band engaged in numerous tours to support their self-titled debut, playing with Sean Lennon & Cibo Matto, Blur, Supergrass, and many others, as well as seemingly infinite jaunts to Japan, where Dave and Harry were hailed as heroes of subversive minimalist pop - the ecstatic screams of young fans at the first few notes of Submission To The Master& at first bewildering the brothers.  Suddenly, the Almo Sounds deal with Geffen fell apart at the start of a tour supporting then-current sensations Weezer.  Promotion was pulled; radio support for the first single from the album collapsed in a mere moment. Due to contractual vagaries, the band was allowed to complete a second (unreleased) album just before the label folded.  And that was it, until the news of the 2021 release of Pulsar
Transmissions", a collection of unheard songs and versions that the band recorded before and during their short-term deal.  Rolling Stone offered their self titled debut ;Pulsars as one of the 40 greatest albums ever recorded by an act with one real album:

 

 

PULSARS's Info

Instagram:  https://www.instagram.com/pulsarsband/?hl=en

X / Twitter:  https://x.com/PulsarsBand

Facebook:  https://www.facebook.com/pulsarsofficial/